Reviews

Film

Review: Zack Snyder’s Space Opera Rebel Moon Part 1 Does Absolutely Nothing to Get You Invested in a Part 2

Edward Douglas - December 15, 2023 0

Film

The Boys in the Boat Review: A Serviceable But Unspectacular Sports Drama

Abe Friedtanzer - December 15, 2023 0

Film

The Iron Claw Review: Sean Durkin’s Masterful Von Erichs Drama Avoids Traditional Sports Biopic Tropes

Edward Douglas - December 12, 2023 0

Film

Wonka Review: Timothée Chalamet Proves He Can Sing Too in This Delightful Origin Story Musical

J. Don Birnam - December 4, 2023 0

Film

Wish Review: Disney’s Latest Animated Movie Does Exactly What Disney Always Does Best

Abe Friedtanzer - November 20, 2023 0

Film

Napoleon Review: Ridley Scott’s Magnum Opus Looks Glorious with Majestic Battle Sequences But It’s Also a Slog

Edward Douglas - November 17, 2023 0

Film

Thanksgiving Review: Director Eli Roth Proves His Mastery of Horror with a Solidly Subversive Slasher

Edward Douglas - November 15, 2023 0

Film

Saltburn Review: Emerald Fennell’s Mesmerizing Portrait of Excess and Obsession

Abe Friedtanzer - November 14, 2023 0

Film

Next Goal Wins Review: Taika Waititi Feelgood Sports Dramedy Scores One or Two Goals

J. Don Birnam - November 13, 2023 0

Film

The Hunger Games: The Ballad of Songbirds and Snakes Review: Beloved Franchise’s Return Will Thrill Fans Despite Rickety Story

J. Don Birnam - November 9, 2023 0

Film

The Marvels Review: Director Nia DaCosta Delivers a Winner Thanks to a Formidable Heroic Trio

Edward Douglas - November 8, 2023 0

Reviews

Lawmen: Bass Reeves Review: David Oyelowo Takes Charge in Taylor Sheridan’s Latest Historical Western

Abe Friedtanzer - November 3, 2023 0

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Laura Benanti on Life and Beth, Mothers, Broadway, and Writing Her Own Show

February 28, 2024

Dune: Part Two Director Denis Villeneuve on Tackling the Known and the Unknown While Concluding His Sci-Fi Epic

February 27, 2024

The Academy To Separate Short Films and Feature Animation Branch Into Two Individual Branches

February 27, 2024

Monster Director Hirokazu Koreeda on Telling A Unique Layered Story about Kids, Parents, and Teachers

February 26, 2024

Oscar-Nominated International Feature Films Are (Again) Entirely Eurocentric With the UK Leading (Reviews)

Dune: Part Two Review: Chalamet Shines, as Villeneuve Concocts a Beautiful Sandstorm of a Story

Review: Dune: Part Two is Villeneuve’s Magnum Opus, a Glorious Conclusion Well Worth the Wait

Review: Drive-Away Dolls Quickly Skids Off the Rails in Trying to Be a B-Movie

Madame Web Review: Dakota Johnson’s First Foray into Superheroics is Far From Perfect

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Laura Benanti on Life and Beth, Mothers, Broadway, and Writing Her Own Show

Dune: Part Two Director Denis Villeneuve on Tackling the Known and the Unknown While Concluding His Sci-Fi Epic

The Academy To Separate Short Films and Feature Animation Branch Into Two Individual Branches

Monster Director Hirokazu Koreeda on Telling A Unique Layered Story about Kids, Parents, and Teachers

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