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Above the Line covers the entire media landscape with an edge, providing breaking news, insightful reviews, and major interviews along with hard-hitting analysis of awards, box office, and festivals.

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Oscars Power Rankings: American Fiction and Origin Rise Post-TIFF as Anatomy Falls

Toronto: Dementia Takes Center Stage in Michel Franco’s Memory and Michael Keaton’s Hitman Film Knox Goes Away

Toronto: Anna Kendrick’s Woman of the Hour and Grant Singer’s Reptile Both Gripping — Except for Their Titles

War of Words Breaks Out Between WGA and AMPTP as Guild Tries to Divide and Conquer Stubborn Studios

Toronto: Anatomy of a Fall and The Zone of Interest Don’t Live Up to the Hype; Best Director Race Wide Open

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Flora and Son Director John Carney on How the Music-Driven Movie Was Meant as a Tribute to His Mother

WGA Leadership Claimed That Its New Deal Is “Exceptional” and They Weren’t Kidding, as Film & TV Writers Rejoice

The Creator Director Gareth Edwards on Creating an Original Sci-Fi Movie With Help From a Few Dune Alums

Peter Facinelli on Stepping Behind the Camera to Co-Direct the Family Survival Drama On Fire After Its Original Director Was Sidelined By Covid

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No Hard Feelings Review: Jennifer Lawrence Brings Her A-Game But This Raunchy Comedy Is Simply Too Soft

Academy Announces New Theatrical Standards for Best Picture Eligibility Ahead of 97th Oscars Honoring 2024 Movies

Ted Lasso Director Declan Lowney on the Series Finale “So Long, Farewell,” the Power of AFC Richmond’s “Believe” Sign, and Clues Regarding Spinoffs

LETS GO BACK

BAFTA Awards Nominations: Dune Dominates, Spencer Snubbed

The Accidental Turitz: Emmy Voting Is About to End So Check This Stuff Out Quickly

Spider-Man Duo Steven Ticknor and Ken McGill on Honoring Generations of Sound in No Way Home

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